http://www.samnorton.com Sam Norton Mon, 09 Apr 2012 18:42:54 +0000 http://www.samnorton.com en http://www.samnorton.com/PAINTING-WITH-KNIVES http://www.samnorton.com/following/samnorton.com/PAINTING-WITH-KNIVES Mon, 09 Apr 2012 18:42:54 +0000 Sam Norton 3168930 <img src="http://payload43.cargocollective.com/1/5/191682/3168930/01_800.jpg" width="800" height="599" width_o="1382" height_o="1036" src_o="http://payload43.cargocollective.com/1/5/191682/3168930/01_o.jpg" data-mid="16212812" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/5/191682/3168930/02_800.jpg" width="800" height="599" width_o="1382" height_o="1036" src_o="http://payload43.cargocollective.com/1/5/191682/3168930/02_o.jpg" data-mid="16212830" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/5/191682/3168930/03_800.jpg" width="800" height="599" width_o="1382" height_o="1036" src_o="http://payload43.cargocollective.com/1/5/191682/3168930/03_o.jpg" data-mid="16212842" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/5/191682/3168930/04_800.jpg" width="800" height="599" width_o="1382" height_o="1036" src_o="http://payload43.cargocollective.com/1/5/191682/3168930/04_o.jpg" data-mid="16212850" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/5/191682/3168930/06_800.jpg" width="800" height="599" width_o="1382" height_o="1036" src_o="http://payload43.cargocollective.com/1/5/191682/3168930/06_o.jpg" data-mid="16212872" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/5/191682/3168930/07_800.jpg" width="800" height="600" width_o="1382" height_o="1037" src_o="http://payload43.cargocollective.com/1/5/191682/3168930/07_o.jpg" data-mid="16392134" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/5/191682/3168930/08_800.jpg" width="800" height="600" width_o="1382" height_o="1037" src_o="http://payload43.cargocollective.com/1/5/191682/3168930/08_o.jpg" data-mid="16392136" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/5/191682/3168930/09_800.jpg" width="800" height="600" width_o="1382" height_o="1037" src_o="http://payload43.cargocollective.com/1/5/191682/3168930/09_o.jpg" data-mid="16392137" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/5/191682/3168930/10_800.jpg" width="800" height="600" width_o="1382" height_o="1037" src_o="http://payload43.cargocollective.com/1/5/191682/3168930/10_o.jpg" data-mid="16392138" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/5/191682/3168930/11_800.jpg" width="800" height="600" width_o="1382" height_o="1037" src_o="http://payload43.cargocollective.com/1/5/191682/3168930/11_o.jpg" data-mid="16392139" border="0" align="left"/><img src="http://payload43.cargocollective.com/1/5/191682/3168930/12_800.jpg" width="800" height="600" width_o="1382" height_o="1037" src_o="http://payload43.cargocollective.com/1/5/191682/3168930/12_o.jpg" data-mid="16392141" border="0" align="left"/> 11 PAINTINGS WITH KNIVES http://www.samnorton.com/Scripts http://www.samnorton.com/following/samnorton.com/Scripts Thu, 29 Mar 2012 14:43:06 +0000 Sam Norton 3103144 MOSQUITO (94 pages) Ray writes novels. He has a stack of 40 finished and enough paper for 40 more. It’s his whole life, except he’s become so removed from society that he’s not even writing books with human characters any more. His exile seems to have reached its end point, but then he starts getting visited by people from his old life and the currents of mimesis coalesce and implode. ___________________________ PHANTOM (13 pages) Jack lives his entire life around never being settled. He is a man who moves. This makes him a skateboarder and a thief. Freya on the other hand has made foundations. She has her own place and was happy in it before she realised she'd have to put up her dad after he's released from prison. What they have in common is wanting to be left alone. ___________________________ THE SAME AND OTHER (59 pages) A small in scope one hour film about isolation and friendship. I tried to write something I could shoot, which was longer than a few minutes and yet entirely controllably and deliberate. http://www.samnorton.com/Commercial-Work http://www.samnorton.com/following/samnorton.com/Commercial-Work Mon, 26 Mar 2012 14:56:31 +0000 Sam Norton 3079293 <img src="http://payload38.cargocollective.com/1/5/191682/3079293/r1.jpg" width="60" height="30" width_o="60" height_o="30" src_o="http://payload38.cargocollective.com/1/5/191682/3079293/r1_o.jpg" data-mid="15841244" border="0" align="left"/><img src="http://payload38.cargocollective.com/1/5/191682/3079293/c1.jpg" width="46" height="30" width_o="46" height_o="30" src_o="http://payload38.cargocollective.com/1/5/191682/3079293/c1_o.jpg" data-mid="15841254" border="0" align="left"/><img src="http://payload38.cargocollective.com/1/5/191682/3079293/hire.jpg" width="94" height="30" width_o="94" height_o="30" src_o="http://payload38.cargocollective.com/1/5/191682/3079293/hire_o.jpg" data-mid="15841401" border="0" align="left"/> Most of the time I'm employed to edit, but I also shoot and write. You can employ me for near about anything though. Here's a video Soraya Gilanni and I recently made for New Blood Art: <img src="http://payload38.cargocollective.com/1/5/191682/3079293/pl.png" width="250" height="17" width_o="250" height_o="17" src_o="http://payload38.cargocollective.com/1/5/191682/3079293/pl_o.png" data-mid="17359847" border="0" align="left"/> http://www.samnorton.com/Sam-Norton-1 http://www.samnorton.com/following/samnorton.com/Sam-Norton-1 Fri, 24 Feb 2012 10:21:31 +0000 Sam Norton 2873729 Sam Norton samnorton@gmail.com 07960608846 ______________________________ A culture built on individuality and consumption provokes the desire to create tangible products of expression. The word define has supplanted the word refine and now the bulk of our expression merely gilds the ropes from which we hang ourselves. We should express ourselves not because we have something to say, nor because we want others to listen, but to get closer to understanding what we're trying to feel.